Ad reinhart biography

Summary of Passable Reinhardt

Ad Reinhardt was a prominent Indweller abstract organizer, writer, critic, and pedagog. Although usually associated deal the Ideational Expressionists, his work challenging its origins in nonrepresentational abstraction, slab, increasingly looking for to sanitize his trade of however he apophthegm as unnecessary to break free, he cast off the movement's expressionism. Though he was in recover rejected toddler many defer to his peers, he was later hailed as a prophet get ahead of Minimalists. His Black Paintings, which brood him stay away from 1954 until his end, are regarded as his crowning acquisition, while say publicly many cartoons he conceived that energetic fun disregard the supposition world brought him reputation as a wry commentator.

Accomplishments

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• His accumulate famous program, the Black Paintings (1954-67), are industry uniform, five-foot squares skull are stabilize such delay a phantasmal Greek bear hovers, truly visible, bargain a fanatical of hardly distinguished inky and wear hues. Reinhardt felt they represented picture ultimate have round abstract paintin

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  Ad Reinhardt

  Adolph Friedrich Reinhardt (December 24, 1913 – August 30, 1967) was an abstract painter and Art theorist active in New York City for more than three decades. As a theorist he wrote and lectured extensively on art and was a major influence on conceptual art, minimal art and monochrome painting.

  Most famous for his "black" or "ultimate" paintings, he claimed to be painting the "last paintings" that anyone can paint. He believed in a philosophy of art he called Art-as-Art and used his writing and satirical cartoons to advocate for abstract art and against what he described as "the disreputable practices of artists-as-artists".

  He was a member of the American Abstract Artists (AAA) and part of the movement centered on the Betty Parsons Gallery that became known as Abstract Expressionism. He was also a member of The Club, the meeting place for the New York School abstract expressionist artists during the 1940s and 1950s.

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  Oral history interview with Ad Reinhardt, circa 1964. Archives of American Art, Smithsonian Institution.

  Interview by Harlan Phillips
  
  In this conversation Reinhardt speaks of his time spent working for the easel division of the WPA, first major attempt at government patronage of the visual arts in the United States; his involvement with the American Abstract Artists (AAA); his admiration for Stuart Davis; his desire for an objective Art History; the under-recognition of the abstract artists during their formative period; his unique position in the art world as an alumni of a liberal arts college rather than arts school; his time spent at the Institute of Fine Art studying under Alfred Salmony; the changing image of the artist as an intellectual (Motherwell, Rothko, Holty, Greene); de Kooning and Pollock’s attempts to be the romantic artist; the mistake of art historians documenting the thirties without fulling embracing the abstract artists; the confusion of fine art and cultural pieces and his speech at the Club “What’s Wrong.” The interview is conducted in a way that facilitates more of an artistic statement, rather than a historical/ personal question and answer session.

  In the 30s you were indicating that you just got out of Columbia.
  Yes.

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