Hans j wenger biography examples

Historical Context

Hans J. Wegner is one of the most important representatives of Danish modernism and with his chair designs he helped paved the way for the international breakthrough of Scandinavian design after the Second World War. Largely inspired by the universal understanding of the day that "form follows function", Wegner created functional design solutions based on the new production methods of the day, yet without ever losing sight of the central role of traditional craft techniques. For both Wegner and Carl Hansen & Son the aim was to develop functional, beautiful furniture that was affordable for large sections of the population. Central to Wegner's chairs, such as the CH07 Shell Chair or the CH24 Wishbone Chair is the warm, organic form language and the deliberate integration of traditional Danish craftsmanship in the production process.

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‘We aim to establish an institution that revitalizes the story of Danish design but markets it based on the body of work of an outstanding individual designer. Denmark generally lacks development platforms for craft makers and designers, and it is part of the ambition to place Wegner’s body of work into wider design, technology and arts contexts through temporary exhibitions.’ she explains. ‘In Denmark, we only have a vague understanding of ourselves as a design nation, but we have been pioneers in creating a really well-functioning society, not least thanks to the talented designers who helped build it. By telling Wegner’s story, we can tell stories about past, present and future society and about aesthetic-technological ideas. Can Wegner’s designs and thinking promote the development of our future society? So, yes, it’s a museum about Wegner, but it should have broader societal relevance for today and for tomorrow. ’The museum will – hopefully – be ready to open in a few years’ time. Until then, 37 beautiful chairs are on display in a water tower in Tønder. Anne Blond is looking forward to seeing Wegner’s chair exhibition supplemented with a presentation with a broader scope. ‘When Wegner donated the chairs, it was quite unusual to see 37 chairs by a single designer exhibite