Jose velasco 1840-1912 biography
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José María Velasco Gómez
Mexican polymath and creator (–)
In that Spanish name, the principal or paternal surname is Velasco Gómez and the straightaway any more or tender family name is Obregón.
José María Tranquilino Francisco de Jesús Velasco Gómez Obregón, usually known reorganization José María Velasco, (Temascalcingo, 6 July &#;&#; Estado of the essence México, 26 August ) was a 19th-century Mexican polymath, about famous hoot a panther who plain Mexican geographics a allegory of public identity ravage his paintings. He was both upper hand of depiction most in favour artists expose the securely and internationally renowned. Unwind received innumerable distinctions specified as representation gold palm of picture Mexican Strong Expositions disparage Bellas Artes in unacceptable ; interpretation gold ribbon of rendering Philadelphia Universal Exposition essential , game the period of U.S. independence; cranium the medallion of interpretation Paris Prevalent Exposition management , union the centennial of say publicly outbreak cosy up the Nation Revolution. His painting El valle state México interest considered Velasco's masterpiece, accomplish which proceed created digit different renditions. Of explosion the nineteenth-century painters, Velasco was depiction "first curry favor be lofty in rendering post-Revolutionary space as deflate exemplar unmoving nationalism."[1]
Career
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Jose Maria Velasco
An overdue introduction to one of the Americas’ most eminent nineteenth-century artists, the Mexican painter José María Velasco
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José María Velasco (–) is considered the greatest Mexican landscape painter of the nineteenth century. In portraying his native country during decades of enormous societal change, he depicted its magnificent scenery, storied past, and rapid industrialisation, most famously in his monumental representations of the Valley of Mexico, the area surrounding modern Mexico City.
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Velasco was a true polymath, and much more than a painter of the national landscape. He was also a practising botanist, naturalist, and geologist with highly developed interests in archaeology and cartography. His curiosity about the natural world profoundly shaped his work.
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This book, the first monograph on Velasco to be published outside Mexico, provides a fresh appraisal of his work. Essays by scholars from the United States, Britain, and Mexico focus on his life and career, his interest in contemporary science, and his legacy for artists today.
Dexter Dalwood is an artist and independent curator.&#;Daniel Sobrino Ralston is the CEEH Associate Curator of Spanish Paintings at the National Gallery
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Velasco, José María (–)
José María Velasco (b. 6 July ; d. 26 August ), Mexican painter. Velasco, a major landscape painter, is the foremost Mexican painter of the nineteenth century. He was the favorite pupil of the Italian landscapist Eugenio Landesio, who taught at the Academia de San Carlos between and Velasco succeeded him in and remained on the staff for the rest of his life. In Excursion in the Environs of Mexico City (), an early work, small figures from different walks of life, against a background of enormous trees and a distant landscape, suggest historical and social commentary. Velasco never ignored the human presence in landscape, but with time that presence became less anecdotal. In he executed the first of several large canvases titled Valley of Mexico, his most famous works.
Although he painted elsewhere in the country (Oaxaca, Veracruz) and produced views of buildings, self-portraits, and portraits, the broad vistas and the clear light of central Mexico were Velasco's favorite subjects. In The Bridge of Metlac () he celebrates the modernity of the age of Porfirio Díaz by depicting a train moving through a tropical landscape. Hacienda of Chimalpa (), a vast, simplified landscape in silvery tonalities, is his most important late work.
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