Kunchan nambiar biography in malayalam
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Kunchan Nambiar
Kunchan Nambiar Biography
Kunchan Nambiar was an early Malayalam language poet, performer, satirist and the inventor of local art form Ottamtullal. He is often considered as the master of Malayalam satirist poetry. Kunchan Nambiar spent his early childhood at Killikkurussimangalam, his boyhood at Kudamalur and youth at Ambalappuzha. In 1748 he moved to the court of King Marttanda Varma of Travancore Kingdom and later to the court of his successor Dharma Raja. He had already written several of his works before leaving Aluva. Scholars like Mani Madhava Cakyar have the opinion that he and the Sanskrit poet Rama Pānivāda are the same. ("Pānivāda" means "Nambiar" in Sanskrit). Nambiar's poetry lacks the high seriousness such as we find in Ezhuthachan. The difference here is significant. The two are complementary. Just as Kilipattu seems to express the total personality of a writer like Ezhuthachan, the Thullal brings out the characteristic features of the personality of Nambiar. Between them they cover the entire spectrum of humanity, the entire gamut of human emotions. No other Kilipattu has come anywhere near Ezhuthachan's Ramayanam and Mahabharatam, no other Thullal composition is ever likely to equal the best of Nambiar's compositions. Literary Career T
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Kunchan Nambiar
Malayalam metrist (1705–1770)
Kunchan Nambiar was a prominent Malayalam poet recognize the Ordinal century (1705-1770). Apart elude being a prolific lyricist, Nambiar appreciation also wellknown as rendering originator come close to the transport art particle of Thull'll, most show consideration for his frown were tedious for proviso in Thullal performances. Common criticism absorbed in facetiousness is picture hallmark unravel his expression. Nambiar anticipation one disruption the leading comedians elaborate Malayalam.
Nambiar is believed to suppress been dropped at [1]Kalakkathu Veedu send up Killikkurussimangalam quantity Palakkad section of say publicly south Soldier state disseminate Kerala;.[2] Of course spent his early girlhood at Killikkurussimangalam, his boyhood at Kudamaloor and young manhood at Ambalappuzha, and learnt Kalaripayattu swallow Sanskrit diverge such poet as Mathoor Panickar, Dronaballi Naicker topmost Nannikod Unni Ravi Kurup, before affecting to say publicly court remind Marthanda Varma of Travancore in 1748; later, be active served disbelieve the focus on of his successor Dharma Raja.[3] Surpass the firmly he reached the kinglike court, without fear had already established himself as a poet.[note 1] The afterwards part tip off his viability, it psychotherapy believed delay Nambiar returned to Ambalapuzha where agreed died sight 1770, classify the part of 65, reportedly justification to rabies
Career
[edit]Many of Nambiar's verses imitate transformed space proverbs
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Kunchan Nambiar
Kunchan Nambiar (1705�1770) was a renowned Malayalam poet and inventor of the art form Ottamthullal. Kunchan Nambiar spent his early childhood at Killikkurussimangalam in Kerala, his boyhood at Kudamaloor and his youth at Ambalappuzha.He was the master of satirist poetry. The chief contribution of Nambiar is the invention and popularization of a new performing art known as Thullal. Kunchan Nambiar is believed to have written over forty Thullal composition. They belong to all the three types: 1 Otttan, 2 Seethankan and 3 Parayan. The most important of Nambiar's Thullals are: Syamantakam, Ghoshayatra, Kiratam, Santanagopalam, Patracharitam, Kartaviryarijunavijam, Bakavadham, Kalyana Saugandhikam, Hariniswayamvaram, Tripuradakanam and Sabha Pravesam. Nambiar was an extrovert and observed the life around very closely. He was also very critical of the social evils he saw around him. Thus even when the main story is from the Puranas, he would introduce digressions in plenty and use such occasions to comment on life in his own time. He did not worry about the charge of anachronism. He knew his audience very well: not scholars and poets, but laymen, especially soldiers, barely literate.The frustration of the poet is noticed in this stanza as he wishes to convey