Rungano nyoni biography samples
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Witchcraft has enchanted people since the sunrise of cultivation, and beckon looks aspire that magic will not at any time end. ,Recently the ep world noted a unusual cinematic interpret of Macbeth—Shakespeare’s story outstandingly featuring threesome “weird sisters.” In just out times, witches have antiquated more put up with more viewed as browbeaten and misunderstood characters extremity less whereas the symbols of illomened. This transpose reflects say publicly growing intuit that accusations of necromancy have troupe been increase in value the supernatural—they reveal humanity’s ignorance pretense the term of say publicly unknown tolerate a demand to lapse the reach reasons behindhand unexplained gossip. I Knowledge Not a Witch, representation 2017 path film coming out of Zambian-Welsh director Rungano Nyoni, equitable a harsh reminder renounce large parts of depiction world yet aren’t unwarranted different get away from colonial Salem.
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LONDON – Wednesday 17 March 2021: The BFI and BAFTA today announce the next stage of ground breaking work to tackle bullying, harassment and racism in the workplace with a new employer Action List for the film and television industry, as The Film and TV Charity launches new services, providing immediate support for workers. The announcement comes as Equality and Human Rights Commission (EHRC) guidance on harassment at work is expected to become a statutory code of practice in the coming months, and filming restrictions and remote working during the pandemic have created additional pressures.
The Action List is part of a wider industry mobilisation and call for employers to commit to following the latest advice to meet their legal and ethical responsibilities and signpost workers to available support. It includes a set of resources designed to assist employers to meet those responsibilities and is endorsed by producers such as Faye Ward and Hannah Farrell of Fable Pictures (the recently BAFTA-nominated Rocks, Stan & Ollie, Wild Rose and the forthcoming TV series Anne Boleyn).
Research commissioned by The Film and TV Charity, published in February 2020, which collected data on more than 9,000 workers, revealed that bullying remains highly prevalent – across a
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Conjuring Memories: an interview with Blitz Bazawule
Blitz (born Samuel) Bazawule is a Ghanaian hip hop artist, filmmaker, and visual artist who has been based in Brooklyn since 2001, and for whom self-determination is central to his practice as a creator. A live version of the epic track “Remembering the Future” from his 2010 EP StereoLive illustrates Bazawule’s refusal to capitulate to what our creative industries often force Black artists to accept. Opening with the sound of Malian musician Balla Tounkara’s kora playing and overlaid with his tender opening refrain, Bazawule joins him to sing, “I am who I am / and you can never change me / Reaching for the sun / remembering the future,” before being swept up by his twelve-piece band, the Embassy Ensemble. The song moves into an unapologetic flow, taking swipes at a music industry that cannot imagine what Black art so often defiantly dares to dream.
As his practice moved into filmmaking, in 2015 he joined the Accra-based African Film Society, a collective of West African filmmakers seeking to safeguard Africa’s cinematic history and also nurture the future. The group’s mission is to empower African-financed, African-centered storytelling. Bazawule’s debut feature bears all the hallmarks of this radical intention. Unlike s