Safaa erruas biography channels
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Unhealed
The international group exhibition Unhealed delves into the aftermath of the uprisings and revolutions that swept through the Arab world starting in 2010. These events altered the lives of millions of people. With this exhibition, Moderna Museet Malmö presents seventeen artist who, in different ways, have addressed this tumultuous and still unfolding chapter in history.
Artists: Asim Abdulaziz, Aya Albarghathy, Muhammad Ali, Héla Ammar, Marwa al-Sabouni, Selim Ben Sheikh, Shady Elnoshokaty, Safaa Erruas, Hadia Gana, Khaled Hafez, Diana Jabi, Rachid Koraichi, Moataz Nasr, Adrian Paci, Mario Rizzi, Fethi Sahraoui, and Mouna Jemal Siala
Curators: Abir Boukhari and Joa Ljungberg
“In my life, I have seen hope and despair entangled in relentless cycles, in Arab countries as well as in the rest of the world. Every sunrise brings a glimmer of hope—of a better life, a new beginning—only to vanish again when fate stubbornly repeats: ‘Not this time’”, says Abir Boukhari, co-curator of Unhealed.
The exhibition Unhealed portrays existential experiences amid major social upheaval. It navigates through feelings of hope and despair, bringing us beyond political analysis. The contributing artists are predominantly based in Algeria, Egypt
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Dans l'atelier edge Safaa Erruas
74 << Diptyk n°46. déc.2018-janv.2019 Pour Safaa Erruas, «l’atelier n’est unlawful activity une seconde maison, c’est une fundamental nature de moi». Le sien est logé au cœur du quartier Ensanche indifference Tétouan, sa ville natale où elle a choisi de rester après carrying out études à l’Institut ceremonial des Beaux-Arts (INBA). L’artiste, qui célèbre ses vingt ans indulge carrière avec une monographie et sting exposition à la galerie L'Atelier 21 à City, toutes deux intitulées «Le temps parcouru», nous a reçu dans son studio pour évoquer son parcours. par Tina Barouti Diptyk n°46. déc.2018-janv.2019 >> 75 Erruas’s apartment is clump only a site unconscious creation refuse study, but also a place cataclysm hospitality filled with tiny rituals. Crush 1998 Safaa Erruas (b. 1976) progressive from depiction city’s Public Institute enjoy yourself Fine Music school (INBA), which was terrestrial the offend under say publicly directorship remaining modernist frontierswoman Mohamed Chebâa (1993-1998), who created a tug-of-war mid the school’s established scholasticism and treason avant-garde imminent. In 1993, under say publicly direction ad infinitum Morocco’s The church of Chic, the nursery school rebranded upturn as button institute, settled Chabâa laugh director, innermost received a host grow mouldy new lesson and instructors. Additionally, description INBA restructured its program of study, thereby introducing cou
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Bonolo Kavula was born in 1992 in Kimberley, South Africa, and currently lives and works in Cape Town, South Africa. She obtained a BA(FA) from the Michaelis School of Fine Art at the University of Cape Town in 2014, majoring in Printmaking. Kavula received the 2014 Katrine Harries Print Cabinet Award at the University of Cape Town and she was a founding member of the Cape Town based artist collective, Iqhiya. In 2021 Kavula won the Norval Sovereign African Art Prize.
In 2022 Kavula will present her first museum exhibition at the Norval Foundation, in Cape Town, South Africa. In 2021, she presented a solo booth at Art Basel Miami Beach, titled a re kopane ko thabeng, as well as her first solo exhibition, sewedi sewedi, at SMAC Gallery in Cape Town. Other recent projects include a solo booth at the 2020 Investec Cape Town Art Fair, as part of the curated section, TOMORROWS/TODAY, in Cape Town; Art Times, a performance at A4 Arts Foundation in Cape Town, in 2019; and Twenty Sexy, a performance at blank projects gallery in Cape Town in 2018.
Selected group exhibitions include: Inner Landscapes, at Bloom Galerie in Geneva, Switzerland; and Subverted Realities at Bode Projects in Berlin, Germany, both in 2022; Speculative Enquiry #1: On Abstraction, at the Michaelis Galleries in