The who biography book
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The Who&#;s Best
Even lip-syncing, the Who could be lethal. In their first national TV appearance, on the Smothers Brothers Comedy Show in , the band dutifully &#;performed&#; to a tape of its youth anthem &#;My Generation.&#; Then the fun began. Keith Moon blew up his drum kit – blinding the cameras for a few seconds, gashing his own arm with cymbal shrapnel and frying Pete Townshend&#;s scalp. A dazed Townshend wrestled an acoustic guitar away from host Tommy Smothers and splintered it at the comedian&#;s feet. Bette Davis, one of the show&#;s guests watching from backstage, fainted into the arms of Mickey Rooney. The Who had arrived in America.
This was anarchy special-delivered from the U.K., a decade before the Sex Pistols. And it&#;s what makes the Who&#;s mod-to-riches tale such a juicy one, for here was a band that not only embodied the energy, depravity and recklessness of rock & roll but also expanded it as an art form. The four louts described by the New Zealand press as &#;unwashed, foul-smelling, booze-swilling no-hopers&#; not only wrote rock operas but created a powerful illusion both on record and onstage: They appeared to attack Townshend&#;s meticulously arranged songs not as a unified ensemble but as a pack of wild dogs, straining to outdo one
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A Biography of the Pixel
“[Smith] lays out a grand unified theory of digital expression. Pixel is a deep and challenging tome in the spirit of Douglas Hofstadter&#;s Gödel, Escher, Bach: An Eternal Golden Braid, a winding tale of science, heroes, and tyrants, all leading to the moment, sometime around the beginning of our current century, when a long-predicted digital convergence coalesced.“ ~Wired
“Like the pixels that power the imagery all around us, A Biography of the Pixel is a dazzling game of connect-the-dotto describe what he&#;s written just as a history of computer graphics would be woefully inadequate.” ~Fast Company
“We suspect that the digital world is grainier than the real, coarser, more constricted, and stubbornly rectilinear. But this is a prejudice, one that&#;s neatly punctured in A Biography of the Pixel, a new book by electrical engineer Alvy Ray Smith, co-founder of US computer animation studio Pixar. This eccentric work traces the intellectual genealogy of Toy Story (Pixar&#;s first feature-length computer animation in ) over bump-maps and around occlusions, through endless samples, computations and transformations, back to the mathematics of the 18th century.” ~The Telegraph
&#;A Biography of the Pixel&#; is an essential and pleas•
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